Friday poem
“Heaven” by Cathy Song
He thinks when we die we’ll go to China.
Think of it—a Chinese heaven
where, except for his blond hair,
the part that belongs to his father,
everyone will look like him.
China, that blue flower on the map,
bluer than the sea
his hand must span like a bridge
to reach it.
An octave away.
I’ve never seen it.
It’s as if I can’t sing that far.
But look—
on the map, this black dot.
Here is where we live,
on the pancake plains
just east of the Rockies,
on the other side of the clouds.
A mile above the sea,
the air is so thin, you can starve on it.
No bamboo trees
but the alpine equivalent,
reedy aspen with light, fluttering leaves.
Did a boy in Guangzhou dream of this
as his last stop?
I’ve heard the trains at night
whistling past our yards,
what we’ve come to own,
the broken fences, the whiny dog, the rattletrap cars.
It’s still the wild west,
mean and grubby,
the shootouts and fistfights in the back alley.
With my son the dreamer
and my daughter, who is too young to walk,
I’ve sat in this spot
and wondered why here?
Why in this short life,
this town, this creek they call a river?
He had never planned to stay,
the boy who helped to build
the railroads for a dollar a day.
He had always meant to go back.
When did he finally know
that each mile of track led him further away,
that he would die in his sleep,
dispossessed,
having seen Gold Mountain,
the icy wind tunneling through it,
these landlocked, makeshift ghost towns?
It must be in the blood,
this notion of returning.
It skipped two generations, lay fallow,
the garden an unmarked grave.
On a spring sweater day
it’s as if we remember him.
I call to the children.
We can see the mountains
shimmering blue above the air.
If you look really hard
says my son the dreamer,
leaning out from the laundry’s rigging,
the work shirts fluttering like sails,
you can see all the way to heaven.
(From Frameless Windows, Squares of Light , 1988).




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back to top7 Comments to “Friday poem”
I love this poem … it has a neat dreamy feeling (last stanza especially.)
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Nice to see a poem that reads well.
I’m not sure what it all means, but that’s not what’s important.
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Partially, because I love the eastern prairies of the front range, I was taken with the poem. I love the shift from China to the prairie, then the excursion into history (the grandfather the Chinese laborer who built the railroad through the mountains), and finally that reconsidering of heaven.
Underneath it there’s this nice meditation about knowing where we come from, and how that leads us back home.
Very nice.
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If you take it and write it out instead putting it on lines, you will see this fine prose and a lousy poem.
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Delightful. Lovely.
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Harris, I love the prairies too … live on them, and there’s nothing so beautiful as the Midwest.
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LLAMA,
For the third or fourth time, your “prose vs. poem” comments are repetitive and not helpful to those who have move passed your concern and would like to discuss the poem. If you cannot understand why poems are constructed as they are, I am sorry. Your comments, while once witty and ironic, are now distracting from the small handful of people who’d actually like to discuss the poem. Those people are not many. Only five to ten people really comment on any given poem, and you do your best to throw a red herring into the conversation.
From now on, as long as I am able, I will delete any this-could-be-prose comments. I am sorry. I like you, I do.
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