For my Llama, and my other friends at WMB
In “Why Don’t Modern Poems Rhyme?” former Poet Laureate and Pulitzer-Prize winner Robert Pinsky (how’s that for alliteration?) asks some rhetorical questions about poetry, the kinds of questions I’ve heard a thousand times before, and he attempts to give his own poetic answers. For the People Of The Book – a Book full of poetry – these questions aren’t so trivial, even if they are funny. They include:
Sometimes I see a poem in Slate or another magazine, and it doesn’t do a thing for me. Half of the time I can’t figure out what it means-what is that all about?
Isn’t so-called “free verse” just prose chopped into lines?
How come modern poets don’t write in rhyme?
How come real poetry-in our great-grandparents’ time or, anyway, some other long-ago time-was easy to understand and great?
Aren’t a lot of contemporary song lyrics the real poetry of our time?
Well, I like poetry that is amusing, that maybe makes me chuckle a little. I’d rather read something reassuring and light than something complicated or gloomy. Is that bad? Does that mean I am a jerk?
I have a feeling you won’t like his answers, but they may be the only answers able to convince the unconvinced.



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back to top15 Comments to “For my Llama, and my other friends at WMB”
Consistency is the hobgoblin
Of little minds
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I have a feeling you won’t like his answers, but they may be the only answers able to convince the unconvinced.
What answers? He didn’t give any.
2. Isn’t so-called “free verse” just prose chopped into lines?
Read the following aloud, listening to the vowels and consonants, the sentence movements:
I read “the following aloud” and it sounded just like prose chopped into lines. I don’t consider that an answer.
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Roses are red,
Violets are blue.
Most poems rhyme,
But this one doesn’t.
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Pinsky thinks the provided examples will speak for themselves. Obviously they don’t in all cases. For anyone interested, he’s written a tidy little book that’s a bit more explicit:
The Sounds of Poetry : A Brief Guide.
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If this was supposed to help the poetry-perplexed to somehow grope our way into the light, it failed miserably, HSK.
Pinsky sets up a line of straw men through these ‘rhetorical’ questions and then knocks them all down – not by giving answers that the dimwit might understand, but by supplying more poems of the type supposedly being addressed in the rhetorical questions. More of a nod and a wink to those who already get it, than help to those who don’t. I hope he enjoyed himself, which appears to have been the real purpose of this article.
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Isn’t so-called “free verse” just prose chopped into lines?
I would as soon write free verse as play tennis with the net down.
(Robert Frost)
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Thank you for the Robert Frost quote. There’s a reason he’s my favorite poet.
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HSK,
If this were a student essay I’d write in the margins, “you can’t let your examples speak for themselves — EXPLAIN!!”
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Why take the time
to make lines rhyme?
It shows some smart
about the art
that is much better than mime.
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In rebuttal to post #3:
The only problem
with Haiku is that you just
get started and then
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In defense of free verse: TS Eliot
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The PCA’s magazine, byFaith, just had an article on this topic in the February 2008 issue. It addresses some of the same questions – and also uses poetry as examples – but provides more explanation than the link HSK included. http://www.byfaithonline.com
#10 – I love it. And I do like haiku.
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I actually write a great deal of free verse, for all the grief I give Harrison on this topic.
My unChristian glee at doing so (i.e. giving grief to my betters) probably stems from my own deep-rooted and pathological resentment of legions of dumpy English teachers with bee-hive hairdos and natty professors with goofy little goatees trying to wring innumerable Haikus and hug-a-tree poems out of my rebellious little brain. They never succeeded.
Free verse poetry can be powerful.
Always, however, you can take a coherent and lyric paragraph of poetic prose and turn it into a good or great free verse poem. Guaranteed.
The problem then is to simply find the optimal structure of the bit of poetic writing which works best in free-verse form. And that is highly subjective, apparently, with preference varying from person to person, almost like preference (and hence variance) in type of music listened to.
I challenge anyone (Harrison especially) to provide an example of a coherent and lyric bit of poetic PROSE which CANNOT be easily structured into an adequate or good or even great free-verse poem.
In my opinion, the beauty of free-verse poetry is almost entirely in the prose writing which underlies it, which is at its best universal, and cuts across languages and eras and translations.
But then what do I know?
I nearly failed fourth grade (or fifth, I can’t remember) because I refused to write a Haiku. I still remember being threatened with all kinds of dire life-long academic consequences if I did not produce a Haiku, like a chicken laying an egg.
“Kid, you’ll be pumping gas the rest of your life if you don’t spit out a Haiku right this moment!”
I COULD have, you know, but even back then I had Principles. Instead I gave the authorities an impromptu and highly colorful and descriptive free verse poem in which they figured as main characters.
It netted me a week suspension, so for once my poetry paid off.
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I’m gone for a day and miss all the the fun
.
Drill — loved the words. A great story.
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Special
Regardles of claims
otherwise, that poetry
does not need
to rhyme
at all to be
special
it does
really
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