I hope you enjoy this brief encomium to real multiculturalism, the “multiculturalism of the missionaries” I call it, where beauty and truth and goodness exist as absolutes, but where cultures still do not look alike.  Leon Wieseltier, editor of The New Republic, writes about his being a Jew, while listening to the bells of the church.  For much of his life, he didn’t like the sound of them.  They represented his being out of the loop, so to speak.  A minority.  But the beauty of the church bells got to him, he says.

I was loitering in the magnificent little cloister at Magdalen College. It was a late afternoon in an Oxford autumn, and the yellow spears of the waning sun were landing in the severe stone geometries of the place and striking the walls like friendly lightning. Suddenly I heard the harmonies of a choir rehearsing evensong–a piece by Byrd, I later learned–in an adjoining chapel. Fixed by the lights and the sounds, I was overcome, and elated by, an unfamiliar contentment, and I thought: this is Christian beauty and I want it. I was shocked by the thought. I remember thinking also that we, I mean the Jews, have nothing like this. This was another variety of minoritarian torment. Soon the joy passed, perhaps because the singing ceased, and my confusion passed with it. As I strolled home along Addison’s Walk, I got it clear in my mind that Christianity may in some of its expressions be beautiful, but beauty is not Christian. Religious or cultural or national definitions of beauty are conceptual mistakes. So I returned, you might say, to my senses. And the next day I returned to Magdalen to consult the chapel schedule, so that I might hear the choir again.

Well-written, and refreshing to read – on the internet – something like literature.

HT: Arts & Letters Daily