The fat lady will sing, but it won’t be over
And just when you thought it was safe to start destroying the planet, Al Gore’s An Inconvenient Truth has been commissioned as an opera by La Scala in Milan, to be composed by Giorgio Battistelli. In this imaginary epistle, Mr. Battistelli writes Mr. Gore to discuss a few ideas for the opera.
Dear Mr. Gore,
Thank you for sharing your thoughts on my draft of “Verità Inconveniente.” Rest assured that I and the management of La Scala are committed to a serious presentation of your scientific work. I will try to adopt some of your suggestions, but I hope you appreciate the constraints faced by the composer of an opera that is already five hours long.
I agree it would “round out the résumé” of Prince Algorino in the opening scene if he were to sing about his creation of a communications network. But the “Mio magnifico Internet” aria you propose seems to me a distraction – and frankly out of place in an 18th-century Tuscan village. I believe the peasants’ choral celebration of Prince Algorino’s wisdom suffices to establish his virtues.
And on and on. It may be the funniest and most welcome thing I’ve read at the Times. More like something from National Review or The Onion.














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back to top7 Comments to “The fat lady will sing, but it won’t be over”
Is today April Fool’s Day?
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At last. A lampoon of that $illy Gore and his idiotic junk science.
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A Gore Bull Warming opera?
At least I wouldn’t feel bad about sleeping through it.
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Whether your predictions for sea level rise are correct or not, it would be logistically impossible to end the opera by drowning the village under 20 feet of water.
This was rich. Thanks for finding it, HSK. It’s too bad something this funny was buried in “The New York Times,” whatever that is.
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Ah, yes, Prince Algorino, whose electric bill is 20 times that of the average American.
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But won’t all that singing put more carbon in the air?
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If Bayreuth in 1876 could represent the collapse and drowning of Walhal, La Scala in 2008 can represent the overflowing of the oceans.
My doubts about this production have to do with casting, specifically, the scarcity of proper contraltos to sing Gaia. The composer may have to settle for a soprano like the rotund Jane Eaglin, who will look the part and fit Harrison’s bill for a fat lady, but I don’t want to hear her.
John Tierney isn’t very good at making fun of either opera, Italian, or Al Gore, and I don’t expect him to be qualified to review “Shrub” when the Met premiers it within 5 years — which regarding subject will be the great American opera.
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