In a commentary posted yesterday, Los Angeles Times books editor David Ulin asks an interesting question: What is the conversation we should be having during Banned Books Week, which ends this Saturday. Are we to grouse about people who would axe access to great literature like Huckleberry Finn, or are we to explore broader questions, such as how we can defend one book and not defend all books?

I was thinking about this recently while reading Irvine Welsh’s new novel, “Crime,” which deals with a ring of pedophiles. It’s a squeamish, tricky read, and yet, like other writers who deal with transgressive or repugnant material, Welsh has a larger moral vision: His story is not about sex but sensibility, an investigation into the twisted landscape of the soul. There are those who’d argue that the subject he explores in “Crime” is not just provocative but detrimental, something we’d be better off without.

I couldn’t agree less; the more troublesome a piece of writing, the more we need to take it into account.

Read the rest of Ulin’s piece here. What do you think? Should any books be banned? If so where and from whom? What should be the standard and who would govern it?